Mentally Murdered – featuring MxCx, Takatak & Irritum


Time to dust the cobwebs off this rotting city’s heavy music scene. Three acts on the bill, names as follow;

Multinational Corporations – Grindcore/Hardcore Punk. Performing new cuts from upcoming splits as well as crowd favorites from last year’s “Jamat-al-Maut” EP, this grindlashkar is poised for another deadly aural assault on the senses.

Takatak – Instrumental Prog/Groove Metal. Veterans of the Lahore music scene by now, and well renowned for their technical abilities, they are on the cusp of releasing their first EP after a great response to the single “Placental.”

Irritum – Funeral Doom Metal. Masters of the almighty riff, conjuring atmospheres equally haunting and majestic. Hear tracks from their upcoming full-length album while they doom you to eternity.

Live at Opositive studio’s (308 Ravi Road, opposite Badshah Mosque NEXT to the Ufone Franchise)

Call for further details
0345-4064728 (Hassan)
0322-5345356 (Sheraz)

Orator Interview

Hailing from Dhaka, Bangladesh  – Orator is often hailed as one of the premier Death/Thrash acts of the South Asian region. A trifecta of musciains influenced by the likes of Merciless and Possessed, as well as the mysticism of the Aghori cult, Orator has put out 1 EP, 1 full length album, as well as played live outside of their native Bengal homeland over the years. Eternal Abhorrence talks to them about the upcoming Banish The Posers Fest, their lyrical themes, among other things.




– Greetings, Skullbearer, hope all is well at the Orator camp.


Thanks. So far we have been working on new songs, though we are not that active for the last one year.



– You’re playing at Banish The Posers Fest on the 11th of September. Over the years you’ve played at quite a lot of Primitive Invocation gigs, what’s the usual expectation for an event by them?


A very well organized gig, robust sound system and experienced sound engineer and apart from these, we expect nothing but fun and lots of headbanging from a very dedicated crowd.



– Do you think that the Bangladeshi metal scene has improved over the years due to PI’s work?


Definitely, ever since they started out their journey back in 2011 they have delivered us so many great metal concerts bringing bands from many parts of the world. They have also supported many new and old bands from Dhaka. PI has created a scene which was never there before, bathed in the essence of true metal spirit.






– Orator has primarily been a power trio, however a second guitarist was added for a short while last year, before reverting to a trio again. Can you elaborate a bit on that?


We have always thought of hiring a second guitarist, even before Kapalgnosis. Re-Animator (Navid Anjum Khan) was/is a promising guitarist and we hired him. We jammed many times last year and performed twice with him on the lineup. However, he had to leave Orator because of the imperatives of his demanding academic life. We wish him all the best in life.



– There has been a marked shift in production values for Orator between 2010’s “Dominion of Avyaktam” and 2013’s “Kapalgnosis,” with the latter favoring a more well-rounded, clear-cut sound as compared to the raw tendencies of the debut EP. Can we expect the sound to get more deliberately polished on future output?


Orator’s sound will remain mostly like Kapalgnosis, but of course much more polished than the previous productions.



– Orator has a very distinct visual aesthetic to it, manifesting itself in the live presence, lyrics and artwork of the band, and as a result setting Orator apart from most death and thrash metal acts in the South Asian region. Was this aesthetic a deliberate attempt?


Thank you. If it were not deliberate then we would be confused of our identity like many of the bands out there today. For Orator everything was deliberate from the start and shall be in the future.






– Your lyrics mirror the image of Aghori, “Left Hand Path” Tantric Occultism and  other Gnostic related notions and you mention Aghoris as an Atheistic Avadhut in a recent interview. Aghoris renounce the establishments set by the orthodox Hinduism, yet they also partake in very specific rituals which signify a spiritual belief – added to that, they are devotee of Bhairava too. Traditional atheists do not usually partake in rituals or hold any spiritual beliefs, nor do they tend to be a devotee of any deity too. Can you explain this further?


Aghoris are not the devotees of any particular deities per se and they have many ruthless forms of bizarre practices that most of us might not have seen as of yet. Navakhanda, is a rite where they gash their limbs deliberately in nine ways just to have a strong quintessence of inner being. However, we do not take these religious practices literally. Aghori is for us a form, a hollow being that represents the perpetual orations of a decaying cosmos within and without. That Aghori is already dead and rotted away; he has no further belief nor any god to please, but him-Self. He is one with his being, an Avadhut in true form. Therefore, behold the mad Krakach, polluting the norms of established orders and purveying the essence of non-being.



– Considering that Orator is an established act now with its own distinct sound and identity, do you see Barzak – your and Vritra’s earlier band – and Orator to be connected entities or completely seperate? 


Just to be clear, Vritra was not a part of the original Barzak lineup although he joined in just when we destroyed Barzak and formed Orator. We did it together. And I do not see Barzak ever returning. Barzak is dead. Orator has risen up from Barzak’s ashes, separate and immaculate.







– You’ve played outside Bangladesh, in India and Malaysia – how difficult/easy is it to go around touring different countries from where you guys are based in? 


So far we have played in India, Thailand, Malaysia and Singapore. And I can honestly say that except for India, we never had any trouble flying outside of Dhaka and performing at the aforementioned countries.



– Thanks for your time, hope to see you live soon as well!

Thanks for the support! Hail!




Orator on Facebook

Banish The Posers Fest 2015

Banish The Posers Fest 2015 featuring FUNERUS

Primitive Invocation, the chief purveyors of true old school metal in Bangladesh, are back again with another show in Dhaka, Bangladesh. Following up on the success of “Metal Barbarism II” which featured Japanese death metal stalwarts Defiled,  Banish The Posers Fest 2015 features local metal acts Orator, Enmachined, Warhound and Eternal Armageddon as well as Funerus – American old school death metal veterans who put out an EP “Black Death” this year under Dark Descent Records. Flyer as well as gig details below! Eternal Abhorrence will be interviewing some of the bands as the gig date advances on us.


Full lineup :

Headlining :

Funerus  – 90’s US Death Metal (featuring Legendary John McEntee from Incantation) for the first time in Dhaka.

Supporting bands :

Orator – Death/Thrash Metal
Enmachined – Thrash Metal
Warhound – Death Metal
Eternal Armageddon – Black/Thrash Metal

Venue : Russian Cultural Center (RCC), Dhanmondi,Dhaka.

Date : 11th September 2015 (Friday)

Ticket Price : 500 TK

Gate Opens : 3:00 PM

Artwork and poster by Gina from Romania



Against Evil Interview

The Indian metal scene has been growing at a steady pace over the last few years, reaching a point where bands outside of the so-called main urban centers have started to form. While India as a metal-producing country is well past the initial primordial stages of development, it’s still interesting to see 80s influenced bands such as Against Evil form from the unassuming backdrop of Visakhapatnam.
– Hey Shasank, how are you doing?


I’m doing great man! Thanks for asking! Hope you are doing well too!



– Can you tell us about the formation of Against Evil?


We actually started in 2009 playing hard rock/heavy metal covers in a band called ECHO. We became quite popular in the local music scene and also did a fair number of gigs across India. In late 2014, we decided to make and play our own music and since ECHO has already made a name as a cover band, we wanted to get a fresh start and decided to form a new band focused on playing our own music. That’s how Against Evil happened!



– Most Metal bands in India play pretty extreme stuff. What motivated you to play traditional Heavy Metal?


To be honest, we didn’t pre-decide what kind of music we were going to make. We just wanted to play METAL with clean/semi clean vocals but we didn’t care about any sub-genres. We picked up our guitars, started jamming and this turned out to be the final product. Our love for classic metal bands like Black Sabbath, Judas Priest, Megadeth, Accept etc also helped influence and shape our sound.



– Not much is known about the music of Visakhapatnam. What’s the status of the metal/rock scene?


Well, there is no metal/rock scene here in Visakhapatnam! There are a couple of good bands that play covers/originals but absolutely no audience to encourage any of them. Hopefully, we are trying to change that and get more people to listen to and encourage rock/metal music with our upcoming release.


against evil art
– Your first release is out soon on Transcending Obscurity, how did the release come around?


We released our debut single – War Hero back in February, 2015 and got an overwhelming response for the song worldwide. This motivated us to make more music and release an EP. Since we had already written a few songs by then, we thought that it would be best for an unknown band like us to release our music first to get better recognition. In that way, we got in touch with Kunal Choksi from Transcending Obscurity Distribution who was interested to release our debut EP.



– What was the recording experience like?


It was one hell of a ride man! We had a great time in the studio even though it was the first time for us! It was also a great experience for us to get associated with veteran guitar player Simone Mularoni from Domination Studio, Italy who mixed/mastered the entire album. A special mention to All Things Rotten from Croatia who did the album artwork for us. Working with such great international artists on our first release itself is a proud feeling for us!



– What’s next for Against Evil?


We have put in a lot of hard work and effort into making this album and we hope the music reaches out to rock/metal lovers all over the world and they enjoy it. The fact that people are buying our music and listening/enjoying it means a lot to us. Right now, we are gearing up to play a few shows that we have lined up.



– Thanks for your time, good luck for the release!


Thanks for taking the time to do this interview man! Hope you enjoy the album🙂


AE 7

Nepal Earthquake Relief




It has been three weeks since the earth shook us.

25th April 2015 was the fateful day when a massive earthquake, measuring 7.8 on the Richter scale, hit the small Himalayan country of Nepal, flattening entire villages and causing destruction across the nation. The dead bodies piling up have exceeded 8000, with more than 17,000 people injured, around 299,588 houses completely destroyed, and 269,109 houses deemed unlivable. Just when we were trying to understand what had happened, we were struck by another tremor, an aftershock that measured 7.3 on the Richter scale.

Whether living in Nepal or abroad, it would be rare to find a Nepali who has not been shaken to the core by this tragedy. People have lost their loved ones, their homes, and their sense of security. Most of them are left grieving under the open sky, with no roof over their heads.

Though development organizations and local communities have been working tirelessly to rescue and provide immediate relief to the victims, recovery is a long road. Nepal needs as many resources as it can get to start the rehabilitation and rebuilding process for its displaced citizens, while also reconstructing its shattered infrastructure.

Nepal’s rich cultural heritage has influenced its youth to develop a passion for the arts and music; many talented musicians have been bred in this unique culture. The Nepal Earthquake Relief Compilation is a tribute to the resilience and strength of the Nepali people, as well as a collaborative effort by the participating bands to give back to the country that has given them so much.

The funds raised through this album will go to active organizations working on finding long term solutions for shelter and rehabilitation of the communities in the most severely affected districts of Nepal.

The compilation has been hosted on Bandcamp at

No Sir, I Won’t Interview

NO Sir I Wont


– Hey there, hope all is well. Which member of the band am I speaking to?

All’s as well as can be expected, thanks! Or at least I haven’t read the news in a few days, so I don’t know just how bad things really are. Hope all’s well with you. I’m Dan, I do vocals and now I play bass as well.

– Can you introduce No Sir, I Won’t to the readers? The circumstances under which the band formed, the musical influences, fellow band members etc.

NO SIR, I WON’T started when I moved back to Boston in about 2009 (I’d been living in California and playing in a band called SURRENDER), and I got together with some friends who had a mutual interest in making political punk music. It was a rocky start, people had a lot of shit going on in their lives, but eventually we shuffled the line-up a little and started playing in earnest. At that point I was singing, Jeff (BRAIN KILLER, WITCHES WITH DICKS etc.) was playing guitar, Dominick (SUBCLINIX, SAVAGEHEADS etc.) was playing bass, and another Dan (LIBYANS, FOREIGN OBJECTS etc.) was on drums. That’s the line-up that recorded the demo, the first 7” and the first 12”. Eventually Dominick moved to drums, I took over on bass and our friend Kelley (FUNERAL CONE etc.) joined to do vocals as well. We’ve all been influenced by all kinds of things, and while the most obvious influences on the band are CRASS, CONFLICT, CHUMBAWAMBA, bands like that, everyone has brought their own interests in as well. For instance I was involved with the noise/experimental scene for a long time, I love prog rock, metal… I grew up as a total metalhead in the 80s before I discovered punk and realized that there was a whole alternative lifestyle available to me. I imagine it’s different in Pakistan, but in America the metal scene (especially in the 80s) was mostly a-political, mostly kind of braindead, mostly about partying, basically another version of mainstream society, with all the same misogyny and shitty attitudes. Punk opened up a way to make music and be involved in a community based around political ideals and personal ideals that were really different from what I saw around me every day.

– The Anarcho-Punk tradition dates back to the late 70’s and has been through several ups and downs. How do acts like yourself stay relevant in the current political and musical climate?

I’m not sure we do! But for me, anarcho-punk has never been a particular sound, it’s not as narrow and constrained as, say, D-beat is. It’s always been much freer and more creative, much more wide-ranging, mostly connected by a general political outlook. If you go back to the early days of anarcho-punk in the UK, you hear bands like D&V, HIT PARADE, RUBELLA BALLET doing all kinds of strange things, looking different, sounding different. It’s not only based off of CRASS. So likewise, when we started this band we took the political ideals and the goals and brought our own thing to it. We grew up playing in street punk bands, hardcore bands, pop-punk bands, grew up in a different time and place and so the result was naturally something different, something born out of the the here and now. The important thing was that we grew up with the same ethos as the old anarcho-punk bands in mind. Even if you weren’t an active revolutionary or something, it was hard to be involved in punk around here in the early 90s and NOT encounter anarchism, not be influenced by that day to day political outlook. In the end I think that by not trying to sound just like CRASS or CONFLICT, and by allowing the band to take its own course it naturally adapted to the current climate. That is to say, the current climate of the DIY scene. Neither our politics nor our music are at all relevant to what’s going on in mainstream society, as far as I can tell! I wish they were…



– Do you believe Boston is a fertile breeding ground for politically and socially conscious punk acts?

I think it has been and it could be, but I don’t see a lot of that going on here right now. Boston has a really transient population because there are so many schools, and it can be hard to form a solid, lasting community like the kind that I think political activity often stems from. Also the trend in punk (at least in the US) right now seems to be towards a more nihilistic kind of attitude, and a more superficial engagement with (or outright rejection of) the political aspect of the music and the lifestyle. That’s a generalization of course, there are people in Boston and elsewhere who are doing great work and making great political statements, but particularly in Boston right now that seems to be the exception and not the rule.

– Apart from music, what literary, non-musical influences do the band members hold?

I can only speak for myself, but I’ve always been heavily into science fiction. Philip K. Dick is big for me, Ursula LeGuin… I think those authors have influenced my outlook at least as much as the bands I mentioned before. Science fiction has always been a forum for radical views, a way for people in repressive conditions (Yevgeny Zamyatin in Soviet Russia, for instance) to voice their ideas with just enough of a remove from reality that they could get away with it. I’m not a conspiracy theory person, at least relatively speaking, but SF has definitely contributed more or less to a certain paranoia I have about the state and about what’s really going on in the world. Lyrically and rhythmically I also take  influence from poets like Blake and Tennyson. I like their romantic, dramatic style, but I also like the more down to earth diction of people like William S. Burroughs. When I’m writing lyrics I try to balance those two things, the more poetical and the more vulgar, I guess you could say.

– Any upcoming plans? Splits, EP’s, full length?

Unfortunately we’re lying low right now, Dominick is out on the West Coast for a while. Planning to do a tour at the beginning of the Summer and hopefully make a new recording then.

– Thanks for your time. Cheers from Pakistan.

Thank you! It’s a rare treat to hear from someone in Pakistan, I hope people in the States can learn more about the music scene there through your work. Cheers! Get in touch:



No Sir I Won’t on Bandcamp

Eternal Armageddon – Black Thrash Bastards (2015)




Bangladeshi act Eternal Armageddon started out as a melodic black metal band, with quaint and meandering tracks that built up nice atmospheres. However, for whatever reasons, most of the members went their separate routes with only main man Asmodeus left to pick up what remained in the aftermath of “Her Forlorn Monsoon” (the title of their first EP). His warcry was heard by Blasphemouranter on drums and Sarcophagous on guitar, the trio now set to construct a new sound to take the band further.


All ties are severed with prior incarnations of the band. The title “Black Thrash Bastards” should be a sign enough. Atmosphere and melody is traded in for vicious- ultimately intoxicating – riff-work and chaotic solos. However, the intelligent approach to songwriting that was present even on early works remains ever-present. Sing-along choruses as on the title track, and well placed mid-tempo grooves, drum fills, bass interludes show that there is method to the madness on display. The music here is meant to be played live.


Despite the moniker of Black Thrash Bastards, the music here is untainted and purely old school, and will appeal to fans of this strict niche. The metal on display here is not bastardized or watered down. Like a nasty pint of locally brewed ale, this material comes as an acquired taste. Stay clear if you expect anything less than Hellhammer, NME, Bulldozer, or Sodom worship. And for the die-hards, a quality cover of Sodom’s “Blasphemer” is also included. My personal pick however, would be “Satanic Whispers” and the title track.


Regardless of the inherent musical quality of this little demo, recorded in a rehearsal pad, it serves more as a sign of things to come rather than an all-encompassing entity on its own. Rest assured, however, until a proper EP or album is unleashed by this incarnation of Eternal Armageddon, this 5 song demo can rest easy in your collection for whenever you need a dose of third world barbarism.






Eternal Armageddon Interview

Eternal Armageddon on Facebook