Tabahi – Tabahi (2014)

Album Cover tabahi


Tabahi is a Thrash Metal band from Karachi, Pakistan. A city known as the most violent in Pakistan, and among the world’s most dangerous. A perfect breeding ground for quality thrash metal. After all, dangerous places have always spawned deadly metal bands. However, it hasn’t been the case for this city, especially in the last few years when the scene was plagued with groove and modern metal acts propagating themselves as thrash. No worries though, Tabahi set everyone straight with their debut album and their classic thrash sound.


After the crushing intro track “Hidden Voices,” Tabahi get straight to business with their pummeling, percussive brutality with the songs “Abomination” and “Fatwa,” setting the tone for an hour of non-stop headbanging. It does not take long for the influence of German thrash-mongering barbarians Tankard and Destruction to become apparent to the well-trained ears.  Pretty much every riff here can be aligned in some way or the other to the 84-88 era of German thrash metal, when the Teutonic horde was focusing on primitive barbarism – before the era of more technical thrash songs began. The songs here, like that of their influences, move at generally blistering pace – Faiq’s disciplined strokes and Daniyal’s war chants being the main ammunition for Tabahi’s artillery. As all good thrash acts, Tabahi know that short term tempo-changes benefit the long-term assault, like soldiers reloading their rifles on the battle-field. Moments of mosh-inducing grooves hit in at just the right moment, showing that while the Germans are undoubtedly a big influence, Tabahi is equally indebted to US Thrash bands like Overkill and Whiplash. In fact, tracks like “Hona Hai” and “Democrazy” would not sound out of place on Overkill’s “Under the Influence” while “Virgin Bomber” has Slayer’s “Hell Awaits” album written all over it. There’s even an Iron Maiden esque section on “Escape From Reality” whereas “Thrashbandi” is a homage to local South Asian sufi music titans Junoon. The myriad of influences here maintains that every song is a little different from the other. Individual songs may be predictable, but not the entire album as an entity. Speed, intensity, groove and memorability is the key purpose here… and there are plenty of sing-along moments as well!



Nearly every vocal line is completely decipherable, including the Urdu songs. This only adds to Daniyal’s often sarcastic-sounding delivery – not too different from Kreator’s Mille. The gang shouts are a nice addition, though at times one wishes they were slightly more intense. The production is noticeably raw, but by raw I do not mean badly mixed or mastered. Every instrument including the bass lives independently in its own domain, which shows that the band has devoted some hard work to the mix – normally in Pakistan, mixes come off sounding very muddy (a problem we’ve had with my bands too). The guitar tone gives the music a very lethal edge, hammering down the riffs into your ears –  though the computer drum sound comes off a little thin a times, thus lowering the intensity of the riff attack.


Originality is not the main purpose here. If you are looking for some avant-garde, highly original thrash metal, you’d best take out your Vektor LP and give it a spin. However, if you’re looking for some authentic third world thrash to make you bang your head as well as injecting your mind with a fresh perspective on South Asian politics – you’re at the right place. In fact, instead of wasting your money on the 45th album from an old school thrash band (who have no original members left), spend them on this group of guys instead. Not to say that Tabahi are a complete 80’s homage. They seem to be leaning towards a sound of their own, and songs like “Thrashbandi” show the band’s dedication to being different from the pack of thrash bands out there trying to make a mark. With all said and done, this is a solid debut album and if the work ethic continues to be this strong, they can go far. Guitarist Faiq has a very distinct guitar style already, and so does vocalist Daniyal, and it’s only a matter of time before these Karachi lads come into their own as a regional force in Asia.


Highlights: Fatwa, Twisted Minds, Art of War, Virgin Bomber, Hona Hai, Escape From Reality, Thrashbandi, Televised End





Tabahi on Facebook

Download their album here

Tabahi Interview

It was about time that Karachi – Pakistan’s largest city, and one of the world’s largest as well – delivered a genuine thrash metal band. For too long the scene in Karachi was full of psuedo-thrash and groove metal bands, propogating themselves as some sort of thrash. However, Tabahi are a legit thrash band that takes its cues from 80’s German thrash bands such as Tankard and Kreator, armed with some classic pre-86 Bay Area ideas. Tabahi, with their stingy vocals, and claustraphobic riffs, take you right into the heart of Pakistan’s most dangerous city with a pure thrash assault that numbs the brain. They discuss topics relevant to Pakistani society such as suicide bombing, the influence of television, the failure of democracy, among other things. I’ve known the band’s main-man Faiq for years and this is the first time I’m interviewing him, in support of his band’s debut album. Read on!



– Hey Faiq, congrats on the release of your debut album.


Thanks alot man, and congrats on your release as well! Multination Corporation’s E.P. was heavy!




– Tell us a bit about the history of Tabahi and the band’s journey til now.


Tabahi has been on and off from about 2008, the founding members of the band were Faiq And Hassan, 2008 was a pretty active era for Tabahi as we started off with a 5 band lineup and did concerts covering early metallica, Sodom and Kreator. But in 2009, Hassan had to leave the country and so did the other band members to continue their studies and i was the only member left. In early 2012, Daniyal came into the band after learning bass from me (Faiq) and literally ignited the spirit of the band that had been dead. We, two then concentrated on making our originals but always felt the need to play them and jam it out with a drummer of the same mindset that we two have and thankfully then we were blessed with HYDER. At the first jam for Tabahi, we all three connected, the main backbone of any metal band is the drummer and specially thrash with the fast drums and tempo, and HYDER has glided all the way through it. So we are all fired up with a 3 member lineup ready to kick some serious asses.




– The band’s name means ‘Destruction’ in Urdu. Safe to say that German Thrash Metal is a big primary influence on you boys, yeah? Apart from the classic German bands, what newer bands have influenced you guys and your sound?


Yes, you got that right. German legendary thrash metal bands like Kreator, Destruction and Sodom have a strong influence on Tabahi and specially on the vocals. We tried our best to keep our vocal tone apart from all the other metal bands here in Pakistan. Schmier from Destruction is our vocalist/bassist’s main inspiration. Newer wave of thrash metal bands have been keeping thrash alive, bands like Havok,Warbringer,Toxic Holocaust and a recent thrash metal band LOST SOCIETY had mainly infuenced our production and our sound as well.




– Tell us a bit about the state of metal in Karachi. The city’s known as one of the world’s most dangerous places – which seems to be a perfect breeding ground for some kickass metal. Is that the case, though?


If you ask us, Karachi is one of the best cities for living. You can get anything and i mean ANYTHING here and from where we live, its considered as the most dangerous localities in Karachi. But thats whats awesome about the city itself, you can get metal magazines at the cost of 100 rs here, equipment for recording and production can be bought at the lowest rates, and there’s inspiration everywhere you go. Therefore this city has mainly inspired us to play thrash metal.



Album Cover tabahi



– A lot of your lyrical themes draw upon stuff prevelant in Pakistani society and puts it on an aggressive musical format. Do you think that music as abbrassive as Thrash Metal can be accepted by the average guy on the street? I mean songs like Democrazy, Virgin Bomber, Fatwa, Hona Hai, etc are all very relateable to people.


When we were writing our album, we all three decided to go with the themes that everyone can relate it to. Even with the songs as well, if you listen to all of our 13 songs, every song has a different lyrical theme to it. Also with the song genres, each song that we wrote we tried to keep it a bit different with all the other songs. Democrazy, Virgin Bomber, Fatwa, Hona Hai were much appreciated by the local audience as well who aren’t listeners of metal. The reason for the success of this was our vocals, because i hear a lot of local people complaining about growls in metal.




– What was the recording process like for the album, anyway? 13 songs and 49 minutes of material self-produced in Pakistan isn’t a very easy task.


The writing process for the album began in November 2013. The album was then produced at Faiq’s studios (ShockStudios). Yes we had a lot of agreements/disagreements, fights, emotional moments, all the masala to make a perfect Bollywood movie, and then after two months of hardwork we got to record this album. We made around 25 to 24 songs, but 13 made it to this album. Hopefully the remaining ones would be releasing in a couple of months. Charles Munro, a friend whose a graduate in Music Production and Engineering at University of Portsmouth helped us with the production for this album.






– You’ve made CD’s for the album – are you in touch with any labels for distribution abroad?


Yes, we’ve released our album digitally and physically as well. The response has been pretty amazing and we’ve been getting mails to feature Tabahi in split albums and metal compliations. Also we’re in talks with a couple of records to distribute our album all around the world. SWA distributions and productions (Turkey) would be releasing our album on April 9th, 2014.




– Do you plan to tour inside and outside the country to take your brand of thrash to live audiences?


Metal is all about playing live, and thats what we all three love to do! The main focus for the band was firstly to release the album, and now that is done we’re looking forward to play Nationally and internationally to promote our album.




– When can we expect more music from Tabahi? Any split releases, EP’s, or the like?


We would love to release new material on a weekly basis but as you know we all three are students and are working as well so we barely get time to jam and record it out. So the plan is more live performances and more singles!




– Thanks for talking Faiq. Cheers n’ beers.


Same here brother, thanks for the interview. Much appreciated.



Tabahi on Facebook

Download their album

– Dozakhi

Tabahi – Tabahi (2014) [Band-Sanctioned Download]

Album Cover tabahi

Tabahi is a thrash metal band from Karachi, Pakistan. They’ve been around for 8 years and have been through a fair few amount of line-up changes, but have remained centered around main-man Faiq Ahmed. Faiq, aided by drummer Hyder Ali and bassist Daniyal Soomro, has unleashed Tabahi’s debut album upon the unsuspecting masses. Solid riffage, and some killer jams are to be found here. My personal favorites are Fatwa and Art of War but I’ll save a detailed analysis for a proper review of the album. In fact, an interview of the band is on the cards as well! Anyway, check the album out if you dig Possessed, Kreator, Sodom, Sepultura, Exodus, Destruction, Annihilator, Slayer and similar bands. Free download link below. You can also pre-order the CD from


Click here to download.

Tabahi’s Facebook Page.


Letter from a Pakistani rocker circa ’97

Found this cool letter from a Pakistani rocker in the 90’s, sent to Waj Lemac (Conquest For Death), on Facebook this morning. Really interesting stuff. Always cool to find reports of a scene in its nascent days, when local magazines never covered it as extensively as they should have.  From Waj’s Facebook:


“A letter from one of the few Pakistani metal heads in Islamabad circa early ’97. Luk Haas gave me his contact info. All You Can Eat were investigating touring Pakistan, Jordan and Syria at the time. We went on hiatus before we could attempt it. This is a two page post. Not for everyone but pretty fascinating for people interested in the early stages of the underground music scene in a far off land. We lost touch, but I hope Aurang is still banging!”



A really nice piece of Pakistani music history contained in this letter. You can see a reference to Entity (before they became the commercial rock band Entity Paradigm aka EP) as well as Co-VEN when they were simply called Coven. Call is also namedropped. But my favorite part of this has to be the end “P.S. My name is Aurang, Not Rurang.” Hahahah.